In these cartoons, Charlie Dog is defined by one desire: to find himself a master. Jones also starred Charlie without Porky in a couple of shorts: Dog Gone South (26 August 1950) which sees Yankee Charlie searching for a fine gentleman of the Southern United States, and A Hound for Trouble (28 April 1951) which sends Charlie to Italy where he searches for a master who speaks English. Jones first used the dog in Little Orphan Airedale (4 October 1947) which saw Clampett's "Rover" renamed "Charlie." The film was a success, and Jones would create two more Charlie Dog/Porky Pig cartoons in 1949: Awful Orphan (29 January) and Often an Orphan (13 August). Mel Blanc provided the dog's gruff, Brooklyn- Bugs Bunny-like voice and accent which became Charlie's standard voice.Īs he did for other Looney Tunes characters, Chuck Jones took Clampett's hound and reworked him, with the help of writer Michael Maltese. In that cartoon, a homeless hound pulls out all the stops to get adopted by bachelor Porky Pig. Development īob Clampett minted the scenario that Charlie Dog would later inherit in his cartoon short Porky's Pooch, first released on 27 December 1941. The character was featured in nine cartoons between 19.
#Looney tunes soundsource series
I've long since lost my tape of the original, but I continue to insist to the world I thought of it first.Charlie Dog (also known as Rover, Charlie, and sometimes Charles the Dog) is an animated cartoon character in the Warner Brothers Looney Tunes series of cartoons. D for the first time in over a year, I found that somebody else had copied my concept - with inferior non H-B sounds - and he was playing THAT. Sadly, after I graduated and listened to Dr. with a short stack of vinyl - he found one he didn't have himself, borrowed it, taped it, returned it and aired it on his show) and the "Seven SFX" tape was a regular feature. Demento because of my personal collection of weird records (I had previously met the Good Dr. The college station had given me a timeslot opposite Dr.
So I took selected sounds from the Hanna Barbera collection and edited them into the Carlin monologue, substituting specific sounds for words (BONK for fuck, BOING for shit, SPLAT for piss, CLAPPITYCLAPPITY for motherfucker, etc.).
George Carlin's original "Seven Words You Can't Say on Television" was a big deal at the time and one radio station had gotten heavily fined for playing it at 1AM. When I was in college radio, in the long-ago 70s, I got access to a then-rare LP of Hanna-Barbara Sound Effects (distributed to selected radio stations for promotional purposes) and got my most brilliant creative idea.
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